Fendy by Fendi (1985)- The Lost Perfume Series

It was announced today that LVMH (known to some as Forces of Darkness) is pulling the plug on the Fendi perfume franchise and discontinuing Fendi Palazzo, the last remaining Fendi scent on the market. According to WWD:

The company will stop selling its Fendi Palazzo women’s fragrance, which it introduced in 2007, due to sales that “while encouraging, didn’t meet expectations” in 2008, stated Gabriella Scarpa, country general manager for LVMH Perfumes and Cosmetics in Italy. At the time of its introduction, industry sources estimated Palazzo would ring up $50 million in global retail revenues during its first year on counter.

Palazzo, a scent with a nice top and a drydown out of a laundromat, joins the older (and better) Fendi fragrances that were sent to the great perfume counter in the sky in 2005, after LVMH acquired the license from YSL Beauté division . I've already reviewed the gorgeous (and cult favorite) Theorema, so today in honor of the deceased line we can talk of the original Fendi from 1985.

Like other 1985 releases, Dior Poison and CK Obsession, Fendi is big Big BIG, complete with mall hair and a power suit. Back then it was meant to evoke luxurious femininity (there was something about fur coats in the publicity material, but I'm not the right person to comment about that). Nowadays it mostly calls to mind an era when various perfumes battled over control of small spaces. In a way, you can blame Fendi for the disturbance in the force that brought upon us the following decade of Seinfeldian scents that smell of nothing.

But back to Fendi. While obviously not of this time (a polite way to say dated), and something to be taken in small doses, this is a beautiful spicy chypre, chock-full of oakmoss and labdanum. It's rich, deep and has a bite you either love or hate. It's also extremely recognizable and has an assertive sillage, as I discovered a couple of years ago when I was asked at the post office if I was wearing Fendi. I've been saving it to open spaces and one spray a day ever since.

Very often when I (or other American bloggers) write about a discontinued scent we get comments from readers in Europe telling us they can still buy it in their local stores. Sometimes it's a case of different markets, but more often than not, the scent is no longer manufactured, but unlike the US, Europe does not believe in discounters, which is where leftover stock is directed here, to be purchased online. Instead, they keep the bottles on the shelves (usually fully priced) until every last one is sold.
I bought a bottle of the eau de parfum for a song back when I first heard it was a goner. It's still available online, but mostly in EDT form and usually well under $50.

Fendy by Fendi (1985)- The Lost Perfume Series

It was announced today that LVMH (known to some as Forces of Darkness) is pulling the plug on the Fendi perfume franchise and discontinuing Fendi Palazzo, the last remaining Fendi scent on the market. According to WWD:

The company will stop selling its Fendi Palazzo women’s fragrance, which it introduced in 2007, due to sales that “while encouraging, didn’t meet expectations” in 2008, stated Gabriella Scarpa, country general manager for LVMH Perfumes and Cosmetics in Italy. At the time of its introduction, industry sources estimated Palazzo would ring up $50 million in global retail revenues during its first year on counter.

Palazzo, a scent with a nice top and a drydown out of a laundromat, joins the older (and better) Fendi fragrances that were sent to the great perfume counter in the sky in 2005, after LVMH acquired the license from YSL Beauté division . I've already reviewed the gorgeous (and cult favorite) Theorema, so today in honor of the deceased line we can talk of the original Fendi from 1985.

Like other 1985 releases, Dior Poison and CK Obsession, Fendi is big Big BIG, complete with mall hair and a power suit. Back then it was meant to evoke luxurious femininity (there was something about fur coats in the publicity material, but I'm not the right person to comment about that). Nowadays it mostly calls to mind an era when various perfumes battled over control of small spaces. In a way, you can blame Fendi for the disturbance in the force that brought upon us the following decade of Seinfeldian scents that smell of nothing.

But back to Fendi. While obviously not of this time (a polite way to say dated), and something to be taken in small doses, this is a beautiful spicy chypre, chock-full of oakmoss and labdanum. It's rich, deep and has a bite you either love or hate. It's also extremely recognizable and has an assertive sillage, as I discovered a couple of years ago when I was asked at the post office if I was wearing Fendi. I've been saving it to open spaces and one spray a day ever since.

Very often when I (or other American bloggers) write about a discontinued scent we get comments from readers in Europe telling us they can still buy it in their local stores. Sometimes it's a case of different markets, but more often than not, the scent is no longer manufactured, but unlike the US, Europe does not believe in discounters, which is where leftover stock is directed here, to be purchased online. Instead, they keep the bottles on the shelves (usually fully priced) until every last one is sold.
I bought a bottle of the eau de parfum for a song back when I first heard it was a goner. It's still available online, but mostly in EDT form and usually well under $50.

Fendy by Fendi (1985)- The Lost Perfume Series

It was announced today that LVMH (known to some as Forces of Darkness) is pulling the plug on the Fendi perfume franchise and discontinuing Fendi Palazzo, the last remaining Fendi scent on the market. According to WWD:

The company will stop selling its Fendi Palazzo women’s fragrance, which it introduced in 2007, due to sales that “while encouraging, didn’t meet expectations” in 2008, stated Gabriella Scarpa, country general manager for LVMH Perfumes and Cosmetics in Italy. At the time of its introduction, industry sources estimated Palazzo would ring up $50 million in global retail revenues during its first year on counter.

Palazzo, a scent with a nice top and a drydown out of a laundromat, joins the older (and better) Fendi fragrances that were sent to the great perfume counter in the sky in 2005, after LVMH acquired the license from YSL Beauté division . I've already reviewed the gorgeous (and cult favorite) Theorema, so today in honor of the deceased line we can talk of the original Fendi from 1985.

Like other 1985 releases, Dior Poison and CK Obsession, Fendi is big Big BIG, complete with mall hair and a power suit. Back then it was meant to evoke luxurious femininity (there was something about fur coats in the publicity material, but I'm not the right person to comment about that). Nowadays it mostly calls to mind an era when various perfumes battled over control of small spaces. In a way, you can blame Fendi for the disturbance in the force that brought upon us the following decade of Seinfeldian scents that smell of nothing.

But back to Fendi. While obviously not of this time (a polite way to say dated), and something to be taken in small doses, this is a beautiful spicy chypre, chock-full of oakmoss and labdanum. It's rich, deep and has a bite you either love or hate. It's also extremely recognizable and has an assertive sillage, as I discovered a couple of years ago when I was asked at the post office if I was wearing Fendi. I've been saving it to open spaces and one spray a day ever since.

Very often when I (or other American bloggers) write about a discontinued scent we get comments from readers in Europe telling us they can still buy it in their local stores. Sometimes it's a case of different markets, but more often than not, the scent is no longer manufactured, but unlike the US, Europe does not believe in discounters, which is where leftover stock is directed here, to be purchased online. Instead, they keep the bottles on the shelves (usually fully priced) until every last one is sold.
I bought a bottle of the eau de parfum for a song back when I first heard it was a goner. It's still available online, but mostly in EDT form and usually well under $50.

The Shape Issue

Someone at Neiman Marcus thought this Fendi jacket was worth an email newsletter. I agree, but for another reason altogether: it shows all that's wrong with this shape.

Have a look- What part of the model's body appears the smallest? Which part is the widest?

See what I mean?

In what universe do women aspire to have a midsection that's twice the size of their breasts?

The Shape Issue

Someone at Neiman Marcus thought this Fendi jacket was worth an email newsletter. I agree, but for another reason altogether: it shows all that's wrong with this shape.

Have a look- What part of the model's body appears the smallest? Which part is the widest?

See what I mean?

In what universe do women aspire to have a midsection that's twice the size of their breasts?

The Shape Issue

Someone at Neiman Marcus thought this Fendi jacket was worth an email newsletter. I agree, but for another reason altogether: it shows all that's wrong with this shape.

Have a look- What part of the model's body appears the smallest? Which part is the widest?

See what I mean?

In what universe do women aspire to have a midsection that's twice the size of their breasts?

In which I go to sephora...

...and save you the trouble.

I'll start with the non-perfume findings, because those are way more positive. And also because it's my turn to add a cent or two of my thoughts to the much talked about Wall Street Journal article. Since it relates nicely to my Sephora visit, I'll get to it shortly.

Bath and Body
There are more and more Korres products. I've been a fan for years, while the line was still a bit obscure and hard to find (now it seems to be everywhere) around here, and the only product was the Guava body butter, which was superb once you figured that it's best to use it right after the shower, while the bathroom is still steamy and your skin absorbs it right away.
The line has grown, adding more scents and more products. I was very eager to try the newish fig scent, but while the products' texture is as great as always, it doesn't smell all that figgy and rich as I hoped. I'm not sure exactly what it smells like. Something herbal but sweet, maybe. I wasn't all too impressed with the Quince, either.

The good news is that there are more products in the Korres Yogurt range, and just like the famous cooling gel, they feel great on the skin. There's a yogurt buddy butter and I couldn't be happier. The very delicate scent might be my favorite of them all.

I was very interested in the Ren line. It sounds promising, the packaging is modern and unisex, and most of all they declare "clean, plant-based ingredients—and free of all unfriendly ones like petrochemicals, synthetic dyes, and parabens" and claim to be eco-friendly and socially conscious. Looking at the ingredient lists of the products, it seems they actually deliver on the promise. I only quickly sampled a few creams and lotions, and while the textures seem nice, the scents are off-putting. Very surprising to get such an unpleasant "pharmacy" whiff from something that is made of plant extracts and oils.

Makeup
The Union Square store now has a Guerlain stand. This is a great improvement considering the increasing floor space that is given to brands that cater to the glitter-loving demographic. You'll find the Terracotta line and all the gorgeous lip and face products.

I mostly skip the holiday collections because they tend to suck almost as bad as the spring ones (too much glitter in the former and a pink orgy in the latter). But there are a couple of notable limited edition items that are available right now that are quite interesting, holiday or not and it is worth checking them out:

Smashbox has a new Sephora exclusive limited edition kit, Platinum Surge, a $110 value for $39. It's not part of the official Beyond Beauty Holiday 2007 collection, but with the super-shiny glosses it might as well be. The two lip products are the weak part of this kit, if you ask me. I was far more impressed by the eyeshadow quad and the SoftLights compact, both are quite classy and elegant.

Dior's Detective Chic Eye Palette is a gorgeous collection of six eyeshadows, most are dark, deep but muted and wearable colors, all are very pigmented and fine-textured. The quality is superior, as always with this brand. The case is stylish and as Dior as it can get.

Perfume
Insert deep sigh.
It wasn't that long ago that Sephora's perfume section had quite a few interesting brands and larger selection within each of them. It also wasn't always cotton candy central.

I went through several new and newish releases, most I've already tried once or twice and dismissed, but wanted to give everything another chance. I used every piece of skin I could expose without getting arrested, with a couple of cleansing breaks in between. Here are the highlights:

L.A.M.B by Gwen Stefani- It's not the worst I've come across, which is a lot for a fruity floral. The combination of greens and a non-candied pear is pleasant. It's girly, inoffensive and unoriginal (notice how many negatives in one short paragraph? That's exactly the problem: a scent that's defined by what it isn't instead by what it is).

Fendi Palazzo- Why bother? The top notes are almost interesting with a sweet and peppery touch, but every time I tried it on hoping for the best because of my love for the house of Fendi, it dried down to a musky nothing with a hint of cheap smelling woods. And we know it won't last: In a year it'll be available from all the discounters and then discontinued and replaced with another nondescript scent and a big marketing blitz. Bring Theorema back.

At the recommendation of Dain, I gave a good try to Givenchy Hot Couture. It's quite different than most other Givenchy offerings (all those Very Irresistible flankers). It's sweet, girly and much more pleasing than most fruity florals, despite the raspberry note. From what I can gather, there has been a reformulation somewhere along the lines, and the old EdP is superior to the current EdP. What else is new?

Maitresse from Agent Provocateur is far less provocative and daring than the original. Instead of a saffron-laced chypre, here we get a musky floral. Easier on the nose? Maybe. Also boring as hell.

Midnight Poison (Dior)- Good intentions and a synthetic ambery rose do not a good perfume make.

My Insolence (Guerlain)- What's a Guerlain perfume without the Guerlinade base? Yes, I get that they're trying to reach a young audience whose biggest fear is to smell like an old lady and biggest desire is to smell like fruit. I don't have to like it, though.


It's sad, really. Sniffing and looking at all these perfumes you just know that most of them will not survive five years on the market. Even sadder to me is remembering that most of these come from houses that stand for luxury, but there's nothing even remotely upscale and special in these products (I'm reading Deluxe by Dana Thomas and it's worth discussing here soon, for this very reason).

We didn't need the WSJ article to tell us that the designer market is in trouble. We can smell it. The best perfumes Sephora has to offer right now may be the Chanel and Hermes scents, but all of them are cheapened reformulated EdTs, far inferior to the original extraits, bottled and boxed to sell many and quickly at the expense of quality and integrity.

Ayala Sender in her SmellyBlog is saddened and appalled to learn that there's no artistic vision even behind the exclusive ranges some of these big houses are launching. Only a cold calculation from a marketing point of view. I'd still take those, as long as they truly are made to be of better quality and with an actual intent to create an excellent perfume, but I do know what Ayala is talking about: Why should we even bother with Armani Privé , Tom Ford Private blend or Chanel Les Exclusifs when we can get the real thing, made by real artists and visionaries? Serge Lutens, Andy Tauer, Frederic Malle, Pierre Guillaume and many others (including Ayala herself) still love what they do and are putting everything they can into their bottles. The article doesn't mention the niche market at all, probably because it's such a small one that it doesn't really count in an $18 billion market. But there is an alternative to those ladies who spray us at the department stores, and I hope more and more perfume lovers realize it and go niche.

In which I go to sephora...

...and save you the trouble.

I'll start with the non-perfume findings, because those are way more positive. And also because it's my turn to add a cent or two of my thoughts to the much talked about Wall Street Journal article. Since it relates nicely to my Sephora visit, I'll get to it shortly.

Bath and Body
There are more and more Korres products. I've been a fan for years, while the line was still a bit obscure and hard to find (now it seems to be everywhere) around here, and the only product was the Guava body butter, which was superb once you figured that it's best to use it right after the shower, while the bathroom is still steamy and your skin absorbs it right away.
The line has grown, adding more scents and more products. I was very eager to try the newish fig scent, but while the products' texture is as great as always, it doesn't smell all that figgy and rich as I hoped. I'm not sure exactly what it smells like. Something herbal but sweet, maybe. I wasn't all too impressed with the Quince, either.

The good news is that there are more products in the Korres Yogurt range, and just like the famous cooling gel, they feel great on the skin. There's a yogurt buddy butter and I couldn't be happier. The very delicate scent might be my favorite of them all.

I was very interested in the Ren line. It sounds promising, the packaging is modern and unisex, and most of all they declare "clean, plant-based ingredients—and free of all unfriendly ones like petrochemicals, synthetic dyes, and parabens" and claim to be eco-friendly and socially conscious. Looking at the ingredient lists of the products, it seems they actually deliver on the promise. I only quickly sampled a few creams and lotions, and while the textures seem nice, the scents are off-putting. Very surprising to get such an unpleasant "pharmacy" whiff from something that is made of plant extracts and oils.

Makeup
The Union Square store now has a Guerlain stand. This is a great improvement considering the increasing floor space that is given to brands that cater to the glitter-loving demographic. You'll find the Terracotta line and all the gorgeous lip and face products.

I mostly skip the holiday collections because they tend to suck almost as bad as the spring ones (too much glitter in the former and a pink orgy in the latter). But there are a couple of notable limited edition items that are available right now that are quite interesting, holiday or not and it is worth checking them out:

Smashbox has a new Sephora exclusive limited edition kit, Platinum Surge, a $110 value for $39. It's not part of the official Beyond Beauty Holiday 2007 collection, but with the super-shiny glosses it might as well be. The two lip products are the weak part of this kit, if you ask me. I was far more impressed by the eyeshadow quad and the SoftLights compact, both are quite classy and elegant.

Dior's Detective Chic Eye Palette is a gorgeous collection of six eyeshadows, most are dark, deep but muted and wearable colors, all are very pigmented and fine-textured. The quality is superior, as always with this brand. The case is stylish and as Dior as it can get.

Perfume
Insert deep sigh.
It wasn't that long ago that Sephora's perfume section had quite a few interesting brands and larger selection within each of them. It also wasn't always cotton candy central.

I went through several new and newish releases, most I've already tried once or twice and dismissed, but wanted to give everything another chance. I used every piece of skin I could expose without getting arrested, with a couple of cleansing breaks in between. Here are the highlights:

L.A.M.B by Gwen Stefani- It's not the worst I've come across, which is a lot for a fruity floral. The combination of greens and a non-candied pear is pleasant. It's girly, inoffensive and unoriginal (notice how many negatives in one short paragraph? That's exactly the problem: a scent that's defined by what it isn't instead by what it is).

Fendi Palazzo- Why bother? The top notes are almost interesting with a sweet and peppery touch, but every time I tried it on hoping for the best because of my love for the house of Fendi, it dried down to a musky nothing with a hint of cheap smelling woods. And we know it won't last: In a year it'll be available from all the discounters and then discontinued and replaced with another nondescript scent and a big marketing blitz. Bring Theorema back.

At the recommendation of Dain, I gave a good try to Givenchy Hot Couture. It's quite different than most other Givenchy offerings (all those Very Irresistible flankers). It's sweet, girly and much more pleasing than most fruity florals, despite the raspberry note. From what I can gather, there has been a reformulation somewhere along the lines, and the old EdP is superior to the current EdP. What else is new?

Maitresse from Agent Provocateur is far less provocative and daring than the original. Instead of a saffron-laced chypre, here we get a musky floral. Easier on the nose? Maybe. Also boring as hell.

Midnight Poison (Dior)- Good intentions and a synthetic ambery rose do not a good perfume make.

My Insolence (Guerlain)- What's a Guerlain perfume without the Guerlinade base? Yes, I get that they're trying to reach a young audience whose biggest fear is to smell like an old lady and biggest desire is to smell like fruit. I don't have to like it, though.


It's sad, really. Sniffing and looking at all these perfumes you just know that most of them will not survive five years on the market. Even sadder to me is remembering that most of these come from houses that stand for luxury, but there's nothing even remotely upscale and special in these products (I'm reading Deluxe by Dana Thomas and it's worth discussing here soon, for this very reason).

We didn't need the WSJ article to tell us that the designer market is in trouble. We can smell it. The best perfumes Sephora has to offer right now may be the Chanel and Hermes scents, but all of them are cheapened reformulated EdTs, far inferior to the original extraits, bottled and boxed to sell many and quickly at the expense of quality and integrity.

Ayala Sender in her SmellyBlog is saddened and appalled to learn that there's no artistic vision even behind the exclusive ranges some of these big houses are launching. Only a cold calculation from a marketing point of view. I'd still take those, as long as they truly are made to be of better quality and with an actual intent to create an excellent perfume, but I do know what Ayala is talking about: Why should we even bother with Armani Privé , Tom Ford Private blend or Chanel Les Exclusifs when we can get the real thing, made by real artists and visionaries? Serge Lutens, Andy Tauer, Frederic Malle, Pierre Guillaume and many others (including Ayala herself) still love what they do and are putting everything they can into their bottles. The article doesn't mention the niche market at all, probably because it's such a small one that it doesn't really count in an $18 billion market. But there is an alternative to those ladies who spray us at the department stores, and I hope more and more perfume lovers realize it and go niche.

In which I go to sephora...

...and save you the trouble.

I'll start with the non-perfume findings, because those are way more positive. And also because it's my turn to add a cent or two of my thoughts to the much talked about Wall Street Journal article. Since it relates nicely to my Sephora visit, I'll get to it shortly.

Bath and Body
There are more and more Korres products. I've been a fan for years, while the line was still a bit obscure and hard to find (now it seems to be everywhere) around here, and the only product was the Guava body butter, which was superb once you figured that it's best to use it right after the shower, while the bathroom is still steamy and your skin absorbs it right away.
The line has grown, adding more scents and more products. I was very eager to try the newish fig scent, but while the products' texture is as great as always, it doesn't smell all that figgy and rich as I hoped. I'm not sure exactly what it smells like. Something herbal but sweet, maybe. I wasn't all too impressed with the Quince, either.

The good news is that there are more products in the Korres Yogurt range, and just like the famous cooling gel, they feel great on the skin. There's a yogurt buddy butter and I couldn't be happier. The very delicate scent might be my favorite of them all.

I was very interested in the Ren line. It sounds promising, the packaging is modern and unisex, and most of all they declare "clean, plant-based ingredients—and free of all unfriendly ones like petrochemicals, synthetic dyes, and parabens" and claim to be eco-friendly and socially conscious. Looking at the ingredient lists of the products, it seems they actually deliver on the promise. I only quickly sampled a few creams and lotions, and while the textures seem nice, the scents are off-putting. Very surprising to get such an unpleasant "pharmacy" whiff from something that is made of plant extracts and oils.

Makeup
The Union Square store now has a Guerlain stand. This is a great improvement considering the increasing floor space that is given to brands that cater to the glitter-loving demographic. You'll find the Terracotta line and all the gorgeous lip and face products.

I mostly skip the holiday collections because they tend to suck almost as bad as the spring ones (too much glitter in the former and a pink orgy in the latter). But there are a couple of notable limited edition items that are available right now that are quite interesting, holiday or not and it is worth checking them out:

Smashbox has a new Sephora exclusive limited edition kit, Platinum Surge, a $110 value for $39. It's not part of the official Beyond Beauty Holiday 2007 collection, but with the super-shiny glosses it might as well be. The two lip products are the weak part of this kit, if you ask me. I was far more impressed by the eyeshadow quad and the SoftLights compact, both are quite classy and elegant.

Dior's Detective Chic Eye Palette is a gorgeous collection of six eyeshadows, most are dark, deep but muted and wearable colors, all are very pigmented and fine-textured. The quality is superior, as always with this brand. The case is stylish and as Dior as it can get.

Perfume
Insert deep sigh.
It wasn't that long ago that Sephora's perfume section had quite a few interesting brands and larger selection within each of them. It also wasn't always cotton candy central.

I went through several new and newish releases, most I've already tried once or twice and dismissed, but wanted to give everything another chance. I used every piece of skin I could expose without getting arrested, with a couple of cleansing breaks in between. Here are the highlights:

L.A.M.B by Gwen Stefani- It's not the worst I've come across, which is a lot for a fruity floral. The combination of greens and a non-candied pear is pleasant. It's girly, inoffensive and unoriginal (notice how many negatives in one short paragraph? That's exactly the problem: a scent that's defined by what it isn't instead by what it is).

Fendi Palazzo- Why bother? The top notes are almost interesting with a sweet and peppery touch, but every time I tried it on hoping for the best because of my love for the house of Fendi, it dried down to a musky nothing with a hint of cheap smelling woods. And we know it won't last: In a year it'll be available from all the discounters and then discontinued and replaced with another nondescript scent and a big marketing blitz. Bring Theorema back.

At the recommendation of Dain, I gave a good try to Givenchy Hot Couture. It's quite different than most other Givenchy offerings (all those Very Irresistible flankers). It's sweet, girly and much more pleasing than most fruity florals, despite the raspberry note. From what I can gather, there has been a reformulation somewhere along the lines, and the old EdP is superior to the current EdP. What else is new?

Maitresse from Agent Provocateur is far less provocative and daring than the original. Instead of a saffron-laced chypre, here we get a musky floral. Easier on the nose? Maybe. Also boring as hell.

Midnight Poison (Dior)- Good intentions and a synthetic ambery rose do not a good perfume make.

My Insolence (Guerlain)- What's a Guerlain perfume without the Guerlinade base? Yes, I get that they're trying to reach a young audience whose biggest fear is to smell like an old lady and biggest desire is to smell like fruit. I don't have to like it, though.


It's sad, really. Sniffing and looking at all these perfumes you just know that most of them will not survive five years on the market. Even sadder to me is remembering that most of these come from houses that stand for luxury, but there's nothing even remotely upscale and special in these products (I'm reading Deluxe by Dana Thomas and it's worth discussing here soon, for this very reason).

We didn't need the WSJ article to tell us that the designer market is in trouble. We can smell it. The best perfumes Sephora has to offer right now may be the Chanel and Hermes scents, but all of them are cheapened reformulated EdTs, far inferior to the original extraits, bottled and boxed to sell many and quickly at the expense of quality and integrity.

Ayala Sender in her SmellyBlog is saddened and appalled to learn that there's no artistic vision even behind the exclusive ranges some of these big houses are launching. Only a cold calculation from a marketing point of view. I'd still take those, as long as they truly are made to be of better quality and with an actual intent to create an excellent perfume, but I do know what Ayala is talking about: Why should we even bother with Armani Privé , Tom Ford Private blend or Chanel Les Exclusifs when we can get the real thing, made by real artists and visionaries? Serge Lutens, Andy Tauer, Frederic Malle, Pierre Guillaume and many others (including Ayala herself) still love what they do and are putting everything they can into their bottles. The article doesn't mention the niche market at all, probably because it's such a small one that it doesn't really count in an $18 billion market. But there is an alternative to those ladies who spray us at the department stores, and I hope more and more perfume lovers realize it and go niche.

Fendi Theorema- The Lost Perfume Series

This is the time of year when my cats begin to be obsessive about those patches of sun coming through the windows. For stricly indoors creatures, they have very good instincts to know that sun and warmth are becoming scarce and need to be cherished and fully enjoyed. Fendi Theorema is like those sunny patches, and considering that it's another discontinued fragrance, it's about to become as rare.

Theorema is warm and spicy, with a borderline gourmand feel. The official notes are:
Top- tangerine, orange, eglantine rose
Heart- jasmine petals, red pepper, cinnamon, osmanthus
Base- cream, sandalwood, musk, amber, ground spice

Carnation isn't listed, but I'm pretty sure I get some of its sparkly quality, that keeps the spiced, creamy orange from becoming too much and go the creamsicle way, like many other orange scents. It's still on the "yummy" side of things, but grown-up enough to enjoy without feeling foolish. Surprisngly, the sillage is not great and I need to spray quite a bit to be able to bask in a comforting bubble. Sometimes it feels like there's not enough amber in the base, which might be the reason Theorema layers so well with other scents. March from Perfume Posse likes to layer it with Chaos (Donna Karan's rare and very discontinued gem), but if you manage to score a bottle of that juice (it goes for an arm and a leg on eBay), you're more likely to wear it alone and ponder your luck. I'm playing with amber or incense combinations, but haven't found the perfect one just yet. I'll report back when I do.

I have no ides why it was discontinued, considering it has such a cult of followers. There's a rumour Theorema is still being produced for the Italian market, so maybe one of my Italian readers can confirm. In any case, I've stocked up on a lifetime supply of this sunshine in a bottle in EdP, and it can still be found from some e-tailers. I've tried to get my hands on the parfum version, but it was sold out virtually before my eyes. I would have loved to own a bottle of that.

As a final treat, here's a commercial for Theorema. I think it capture the loveliness quite nicely:

Fendi Theorema- The Lost Perfume Series

This is the time of year when my cats begin to be obsessive about those patches of sun coming through the windows. For stricly indoors creatures, they have very good instincts to know that sun and warmth are becoming scarce and need to be cherished and fully enjoyed. Fendi Theorema is like those sunny patches, and considering that it's another discontinued fragrance, it's about to become as rare.

Theorema is warm and spicy, with a borderline gourmand feel. The official notes are:
Top- tangerine, orange, eglantine rose
Heart- jasmine petals, red pepper, cinnamon, osmanthus
Base- cream, sandalwood, musk, amber, ground spice

Carnation isn't listed, but I'm pretty sure I get some of its sparkly quality, that keeps the spiced, creamy orange from becoming too much and go the creamsicle way, like many other orange scents. It's still on the "yummy" side of things, but grown-up enough to enjoy without feeling foolish. Surprisngly, the sillage is not great and I need to spray quite a bit to be able to bask in a comforting bubble. Sometimes it feels like there's not enough amber in the base, which might be the reason Theorema layers so well with other scents. March from Perfume Posse likes to layer it with Chaos (Donna Karan's rare and very discontinued gem), but if you manage to score a bottle of that juice (it goes for an arm and a leg on eBay), you're more likely to wear it alone and ponder your luck. I'm playing with amber or incense combinations, but haven't found the perfect one just yet. I'll report back when I do.

I have no ides why it was discontinued, considering it has such a cult of followers. There's a rumour Theorema is still being produced for the Italian market, so maybe one of my Italian readers can confirm. In any case, I've stocked up on a lifetime supply of this sunshine in a bottle in EdP, and it can still be found from some e-tailers. I've tried to get my hands on the parfum version, but it was sold out virtually before my eyes. I would have loved to own a bottle of that.

As a final treat, here's a commercial for Theorema. I think it capture the loveliness quite nicely:

Fendi Theorema- The Lost Perfume Series

This is the time of year when my cats begin to be obsessive about those patches of sun coming through the windows. For stricly indoors creatures, they have very good instincts to know that sun and warmth are becoming scarce and need to be cherished and fully enjoyed. Fendi Theorema is like those sunny patches, and considering that it's another discontinued fragrance, it's about to become as rare.

Theorema is warm and spicy, with a borderline gourmand feel. The official notes are:
Top- tangerine, orange, eglantine rose
Heart- jasmine petals, red pepper, cinnamon, osmanthus
Base- cream, sandalwood, musk, amber, ground spice

Carnation isn't listed, but I'm pretty sure I get some of its sparkly quality, that keeps the spiced, creamy orange from becoming too much and go the creamsicle way, like many other orange scents. It's still on the "yummy" side of things, but grown-up enough to enjoy without feeling foolish. Surprisngly, the sillage is not great and I need to spray quite a bit to be able to bask in a comforting bubble. Sometimes it feels like there's not enough amber in the base, which might be the reason Theorema layers so well with other scents. March from Perfume Posse likes to layer it with Chaos (Donna Karan's rare and very discontinued gem), but if you manage to score a bottle of that juice (it goes for an arm and a leg on eBay), you're more likely to wear it alone and ponder your luck. I'm playing with amber or incense combinations, but haven't found the perfect one just yet. I'll report back when I do.

I have no ides why it was discontinued, considering it has such a cult of followers. There's a rumour Theorema is still being produced for the Italian market, so maybe one of my Italian readers can confirm. In any case, I've stocked up on a lifetime supply of this sunshine in a bottle in EdP, and it can still be found from some e-tailers. I've tried to get my hands on the parfum version, but it was sold out virtually before my eyes. I would have loved to own a bottle of that.

As a final treat, here's a commercial for Theorema. I think it capture the loveliness quite nicely:

My Fendi Problem Continues

I thought I was over and done with wedges, but this pair is calling to me. Must be the color.

My Fendi Problem Continues

I thought I was over and done with wedges, but this pair is calling to me. Must be the color.

My Fendi Problem Continues

I thought I was over and done with wedges, but this pair is calling to me. Must be the color.

I Think I may Have a Problem

I was actually looking for something blue or green when I spotted this bag. It has my name written all over it.

I Think I may Have a Problem

I was actually looking for something blue or green when I spotted this bag. It has my name written all over it.

I Think I may Have a Problem

I was actually looking for something blue or green when I spotted this bag. It has my name written all over it.